The Modern Garden developed in the early 20th Century and sits alongside the collective reimagining of conceptual thinking and thebrejection of the past following the traumatic and turbulent period post First World War and Russian Revolution. The Shock of the New (Robert Hughes) describes the journey towards Modernism and its origins in Art, Architecture and Design.
Development of new materials and construction techniques allowed designers to develop new concepts and sculpt radical forms.
In landscape design, the so called “Harvard Revolution” rejected the syllabus of Arts & Crafts and challenged conventional notions of landscape architecture to redefine the relationship between built environments and nature. Led by the collaborative efforts of Dan Kiley, Garrett Eckbo and James Rose, this marks a pivotal moment in the evolution of modern landscape design.
All three left an incredible legacy of work. Dan Kiley, known for his minimalist and geometric approach; Garrett Eckbo, celebrated for his integration of social principles and modernist aesthetics; and James Rose, recognised for his innovative use of plant materials and spatial dynamics.
Central to their philosophy was the idea of "designing with nature," a concept championed by landscape architect Ian McHarg, which emphasised the importance of understanding ecological processes and respecting the inherent qualities of a site. Drawing inspiration from this ethos, Kiley, Eckbo, and Rose sought to create landscapes that harmonised with their surroundings, blurring the boundaries between the natural and the man-made.
Thomas Church enriches the narrative of the Harvard Revolution. Church's emphasis on practicality and human-scale design, notably with the concept of the "outdoor room," enriched the movement's focus on family living. In the UK, John Brookes notably developed the modern movement with his own approach and commitment to exploring new ideas.